lupercalia. crocus angustifolius (x stellaria). i’ve: – lunaria in a vase – abalone – seven plundered devon shells on a bathroom shelf – an antique map of nevada – and a framed black and white illustration of the aurora, dated 1823. i celebrate my new home, though it’s the size of a stamp, and there’s no pool or gym or balcony like i had in las vegas or los angeles, with a picnic on the floor. brie and raspberries and what’s more, just down the road from me, an elderly lady wearing denim dungarees and a straw hat is planting yellow and purple crocuses, to be part of a flower patch opposite my old primary school. later that day, i introduce myself, and offer my help. — my sister is in love. he, she tells me, is sparry light through stained glass, and sweeter than all the moroccan almonds, it must have been hundreds, pressed into the bottle of essence currently perfuming our mother’s kitchen. the smell is somewhat sickly, which means he’s really …
diary 10/02/19: 1- cormorant. celestia. a neighbour’s budding magnolia. fuzz, tepal, whorl. waiting for april, all of them. or early may. well. i am too. petals falling to the pavement on a springtime day. i close the rusty garden gate. it swings shut behind me. 2- the steps to the beach are steep and mossy. approach cautiously. solsbro. seaway. 3- i’m the sort of person that sees signs everywhere. spirit, salt, sailor. a compass on the pavement. sacred, sacred, sacred, and why shouldn’t i believe in magic? 4- the Grand Hotel is grey and ghostly with its tearooms and towers and spiral staircases. disused, mostly. i’ve a fondness for near-forgotten, or faded places. there’s a rainbow over the railway bridge. stories untold. 5- i make it to the beach, and the wind is sweeping seaweed like it’s tumbling russian thistle and i’m watching waves crashing and exploring little rock-pools, i’m looking for crabs, sea glass, oyster shells too (a pearl or a chest or a leviathan or two) but there are three men, better prepared …
this is the gift of the soul, before the body surrenders, and like sunlight on saltwater, breaks into impossible colours. 07.02.19: a single new bloom wild daffodil grows at the top of vicarage hill. people used to believe that they would appear where once ancient temples, or monasteries, stood. holy ground, tread with reverence. muddy red clay paw prints meander about the pavement. there are mosses and mushrooms, too, growing along the shadowy banks of oak-shaded lanes. i’m thinking about how strange and splendid all of this is, how it’s already beginning to feel like the start of a new season. each day, increasing numbers of snowdrops and crocuses spring into their brief being. i can hear gulls, in the distance, they’ll be gliding around the harbour, over rooftops, between spires. a sea-birds’ choir.
diary 04.02.19 i am two hours out of london, now my train is speeding faster, now and the horizon stretches out vaster than it has before. there are rolling meadows, ancient hedgerows, mythical moors and snow-tinged distant hilltop tors. this is our inherited land. this is not at all what we had planned, but there are shipwrecked sunken boats and silver tidal sands shifting and settling like swept in stardust. last night, it stormed. i’ve got to trust that all of this is sunlight, transformed.
a pearl grey propitious first february morning and i’ve faith as a sundial or a sea-bird’s wing and like me, the ivy leaves are all shivering and there are silver bell snowdrops, each will ring in the spring. it is imbolc, brigid’s day, candlemas, a traditional beginning of spring, and i’m wearing inherited pearls and reading about stellaria holostea. i am the ‘flower of sorrow’ so they say no glory can i borrow from the May yet, starlike, mid the green my fragile flowers are seen so faith her steadfast eye lifts to the sky it’s a second hand charity shop book on plant lore, illustrated by rosemary wise and written by josephine addison. i’ve also a very old-fashioned book on traditional british cooking, and it’s just fantastic. summer pudding, fisherman’s stew, sand cakes, and stilton mousse (which sounds awful, in my opinion). tomorrow, i’m to finish my packing for the ukraine: – bobble hat, two – camera, two – lenses, three – impractical phrases scribbled on a piece of paper, three – …
he was stood at the brink of evening, honesty eyes open wide, each their own little lunaria full moon. it would be sundown soon, he knew, and so silently he watched, as the afternoon sky, which had been streptocarpus bethan blue began to sink into a darkness that would be lit only, that night, by stippled specks of starlight, silver ink and indigo. where i was, there was ivy hanging from the ceiling and i was thinking about iseult’s grief, and love everlasting, and how tendrils and vines will tie themselves in knots. in two terracotta pots, forget me nots.
01/27/19 the magazine i’ve been reading suggests that i choose between: option 1. cyclical chiral accretion, contraction, cohesion. option 2. entanglement, error-correcting code. option 3. i don’t suppose i could ever really know. if my mother hadn’t had four children, she’s always said that she would’ve liked to have become an astronomer. my father’s guitars, my mother’s love of the stars, telescopes and cups of tea. and then, somewhere in the middle, there’s me. kansas city’s auyon mukharji is singing silk and sticky spun sugar, clay and cast iron. a gale blows over, and then breaks, the birdfeeder, slams heavy wooden doors shut, lessens for a little while and then strengthens again. somewhat similarly, my thoughts go speeding. sunday morning superluminality, but i did have birthday cake for breakfast. victoria sponge, two iced and caffeinated coffees, clementine juice.
approaching daybreak, and once again the snow that was falling has turned to rain and my hyacinth heart bursts from flower to flame, petals as blood, it is always the same. i’ve been reading about cladonia cristatella, and white-striped parasol scilla. in less than a month, i am going to be 28. i’ll either take myself to paris on a train, or else i’ll drive to see hopefully thousands of snowdrops, again, there’s a special walk you can do around the gardens of a grand old house near to where my father’s studio used to be, they’ve dozens and dozens of different breeds. things that don’t help me fall asleep: the silmarillion, valerian tea, worrying.
a capiz moon retires its light to a softening silver sea of first fog, and i am here listening to the sound of boiling water being poured through the little teapot that i’ll set in place next to the candle on my bedside table. lavender, valerian. somewhere north, this morning, there’ll be sunshine yellow guiding gorse petals glittering with frost. and, somewhere further, hopefully, there’s mycena luxaeterna, or eternal light, illuminating a very dark and hidden patch of some faraway forest, to be seen by noone. somewhere else, a family i know will be lacing up their already muddy boots, jumping in the car, dogs in the back, flasks-in-hand, they’ll be heading to dartmoor, i’ve been thinking about down tor, or else, to the beach. and in california, the southbound coastal starlight will have just reached los angeles, city of dreams, where reality and fantasy melt into one another in the heat.
a bleak january evening approaching ethereality on a railway bridge as the fog’s falling byssine, and brilliantly, around me. in the hedgerows, the blackthorn and hazels are blossoming. and everything else is moving underneath, quietly, you can’t see it but there’s beauty blooming silently, silently. it waits for the spring. my uninterrupted attention is prayer. what celestial circumstance brought me here? there’ll be a blood moon tonight, the last for ten years. selenelion sunlight scattered by atmosphere until it turns rust-red peculiar and then disappears. (i’m going to try valerian tea tonight, maybe i’ll sleep a little better)